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Official Report: search what was said in Parliament

The Official Report is a written record of public meetings of the Parliament and committees.  

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Dates of parliamentary sessions
  1. Session 1: 12 May 1999 to 31 March 2003
  2. Session 2: 7 May 2003 to 2 April 2007
  3. Session 3: 9 May 2007 to 22 March 2011
  4. Session 4: 11 May 2011 to 23 March 2016
  5. Session 5: 12 May 2016 to 4 May 2021
  6. Current session: 13 May 2021 to 25 January 2026
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Displaying 782 contributions

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Health, Social Care and Sport Committee [Draft]

Non-surgical Procedures and Functions of Medical Reviewers (Scotland) Bill: Stage 1

Meeting date: 9 December 2025

Patrick Harvie

Even in that answer, you said, “these things”, but is there a clear definition of which things we are referring to as medical procedures?

Health, Social Care and Sport Committee [Draft]

Non-surgical Procedures and Functions of Medical Reviewers (Scotland) Bill: Stage 1

Meeting date: 9 December 2025

Patrick Harvie

Good morning. I am curious. I was already thinking about this because of the term “medical aesthetics”, which has come up several times. There has been a discussion about the idea that some procedures have been demedicalised, or that the term “medical” is in contention. I have a basic question. What determines whether a procedure is medical? What defines medical aesthetics as opposed to non-medical procedures that people might have for aesthetic reasons? Is it the qualifications of the person who is conducting the procedures, the setting in which they are conducted, how they are regulated or whether they are done for medical reasons—in other words, to treat a medically diagnosed condition?

Health, Social Care and Sport Committee [Draft]

Non-surgical Procedures and Functions of Medical Reviewers (Scotland) Bill: Stage 1

Meeting date: 9 December 2025

Patrick Harvie

There is not an objective definition, then. We are using the term, “medical aesthetics”, but is there a clearly accepted definition of what that refers to and what it does not?

Health, Social Care and Sport Committee [Draft]

Non-surgical Procedures and Functions of Medical Reviewers (Scotland) Bill: Stage 1

Meeting date: 9 December 2025

Patrick Harvie

I appreciate that there are different perspectives. From a policy perspective, I am not sure if I am more confused or less confused, but thank you for the answers.

Constitution, Europe, External Affairs and Culture Committee [Draft]

Independent Review of Creative Scotland

Meeting date: 4 December 2025

Patrick Harvie

In an earlier answer, you mentioned the lack of capital funding. A number of the organisations that we have heard from recognise that addressing the climate emergency will be a significant challenge to many culture organisations. That will include a requirement for capital investment in buildings and facilities, either to decarbonise or to address the impacts of climate change. How do you envisage a capital funding stream working within Creative Scotland? How should its top-level strategic goals be defined? Should the body be given guidance from Government? Should it be entirely independent, as the cultural decisions of Creative Scotland are independent from politics? Alternatively, should that be demand led?

Constitution, Europe, External Affairs and Culture Committee [Draft]

Independent Review of Creative Scotland

Meeting date: 4 December 2025

Patrick Harvie

Thank you.

Constitution, Europe, External Affairs and Culture Committee [Draft]

Independent Review of Creative Scotland

Meeting date: 4 December 2025

Patrick Harvie

I will be very quick. Thank you, convener. My question is about political independence.

The act that created Creative Scotland says:

“The Scottish Ministers may give Creative Scotland directions … as to the exercise of its functions. But the Scottish Ministers may not give directions as far as relating to artistic or cultural judgement.”

I think that political independence in respect of creative and artistic judgment is important. The fact that the phrase “culture war” even exists indicates to us that certain issues are being politicised at the moment in our culture, and I would suggest that most of the attempts at that kind of political interference do not come from the Government. They have been expressed in the Parliament or in the media. Does Creative Scotland need similar protection to the one that it has from political interference on cultural and artistic judgments from the Government? Does it need that protection from the Parliament as well?

Constitution, Europe, External Affairs and Culture Committee [Draft]

Independent Review of Creative Scotland

Meeting date: 4 December 2025

Patrick Harvie

Thank you.

Constitution, Europe, External Affairs and Culture Committee [Draft]

Scotland’s International Strategy (Annual Report)

Meeting date: 4 December 2025

Patrick Harvie

I wonder whether I can follow that up by asking colleagues to explore a certain scenario. At UK level, the main Opposition party in Parliament is seeking to repeal climate legislation, and there is a political party polling very strongly for the next election whose policy is led by outright climate change denial and conspiracy theory. To what extent would the Scottish Government’s international offices still be able to adequately function and deliver the Scottish Government’s policy in that area if a UK Government came in that was pursuing the polar opposite agenda?

Constitution, Europe, External Affairs and Culture Committee [Draft]

Independent Review of Creative Scotland

Meeting date: 4 December 2025

Patrick Harvie

Good morning. I have a few separate topics to raise, if there is time. I will start with the core purpose of Creative Scotland, in particular in relation to fair work. We have heard repeatedly—I am sure that you have as well—about the concern throughout the sector that the creative industries generally have a significant problem with achieving anything close to fair work principles, particularly the parts that are dominated by freelance and insecure working.

The issue is referenced at several points in the report, but did you consider whether there is a need for a more substantive and clearly defined role for Creative Scotland in raising standards in the area? Creative Scotland takes the issue seriously, but some of its ways of working and decisions have actually repeated or entrenched the precarious working conditions that exist throughout the sector. Did you consider whether to make a more substantive recommendation on Creative Scotland’s purpose in relation to fair work?