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The BECTU submission speaks about how the expectations and ambitions of your workers across the sector have changed significantly. I assume that that relates to the fair work principles that we have heard about. I am looking for a bit more detail on the specifics behind that statement, because you also say that

“the essence of the industry is the ‘Live experience’ and that is unlikely to change”.

Is there potentially a conflict between consumer expectation and workers’ expectation in relation to fair work principles? How might that hamper or be an opportunity for your recovery?

When I was looking through the submissions today, I noted that Mr Dallman suggests that there

“could be a 3-year recovery cycle”

for the UK music industry. If you have been listening to the news, which I am sure you have, you will know that, later today, the Scottish Government is likely to vote for the introduction of vaccine certification. How will that impact on your sector’s recovery? What will be needed to compensate for, provide financial support for, implement and manage a system in which passports will be needed for access to venues and live events?

You said that the share is 2.5 per cent, but what is the number of actual viewers?

That is not 70 million people; it could be a smaller number of people accessing—

No, of course not—I am being a bit ridiculous. I am trying to get a sense of whether the channel is good value for money and what the cost per viewer is of the £34 million that we are investing in the digital platform.

Digital viewing is at 2.5 per cent, which is higher than the figure for other digital channels, but what is your ambition? What are you trying to achieve over the next three, five or 10 years?

Have you been consulted at all on how the enforcement and checking will take place? Have you had any discussions with the Scottish Government on that?

I will ask some questions—I think that they are probably for Mr Carson, but I am not entirely sure—to dig into the issue of the BBC Scotland channel’s value for money. You said that it is the largest digital channel in Scotland, but how do you define that?

It is a verb: to game. It is for a young man or a young woman—

Welcome to the meeting, cabinet secretary. This is the first time that we have met in person. Before this, we have had only virtual meetings.

Both of us represent this fine capital city, which is important not just internationally but at the more local level with regard to our country’s economic growth. Our world heritage status, which is something that Liverpool lost just recently, is under direct threat through a number of decisions taken by the city’s Scottish National Party administration. Those decisions were taken without consultation with Historic Environment Scotland or Edinburgh World Heritage or any proper local engagement, and you have written on the subject in the local Edinburgh Evening News. Given the cultural importance of our maintaining our world heritage status, what can you do as cabinet secretary and as the Edinburgh Central MSP to help to preserve it?